![]() ![]() I’ve finished body and legs too I’m considering making the head path D since there’s not a great alternative for armor shatterer (or string shredder.) The pet is missing weaponskills often that it is noticeable, even with drachen and scope 4. Math wise would you say the full time nyame +5% to all damage is better then pitre’s store tp +15 and swapping in nyame for weaponskill. Seems to boost matons by about ~2% (via Attributes?) in addition to the Acc/Atk I also tested Mpaca feet's ilevel effect on maton damage while I was at it. If I'm not mistaken about the numbers, they seem to imply the Nyame pieces are multiplicative to each other (or at least to other Pet WSD gear), but feel free to correct me if I'm wrong Did some quick numbers testing with the pure SS/SS Automaton as well.īuffs: Grape Daifuku, Crooked Rostam Comp 11, Rostam Beast Lucky 4, Idris BoG/EA Frailty, triple Wind maneuversĪrcuballista with VE/SS (was very roughly the median with Fire/Fire/Wind):ĭPS was a bit hard to test since the toads died so fast, but the SS/SS did around 1k DPS with both Nyame pieces and the VE/SS around 1400-1600 with body fulltimed and legs swapped in for WS. Metamorphosis of a Puppet from Collodi's Pages to the Screen.My static took a while to catch up, but we finally got around to finishing some Nyame augments:įor the record, the augment says only Pet: Accuracy+20, but it gives Ranged Accuracy+20 as well. Getty Research Library, by Katia Pizzi 8: The Myth of Pinochio. Introduction, by Katia Pizzi 1: Carlo Collodi and the Rythmical Body Between Giuseppe Mazzini and George Sand, by Jean Perrot 2: Puppets on a String: The Unnatural History of Human Reproduction, Ann Lawson Lucas 3: Workshops of Creation, Filthy and Not: Collodi's Pinocchio and Shelley's Frankenstein, by Charles Klopp 4: The Manufacture of a Modern Puppet Type: The Anatomy of Alfred Jarry's Monsieur Ubu and its Significance, Jill Fell 5: Man is Non-Man: Mannequins, Puppets and Marionettes in the Theatre of Dario Fo, by Christopher Cairns 6: Unpainting Collodi's Fireplace, by Stephen Wilson 7: Pinocchio and the Mechanical Body: Luciano Folgore's Papers at the J. She has published volumes on cultural identities, including A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children's literature and illustration. Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, School of Advanced Study, University of London. Eminently sellable as a traditional cultural icon, Pinocchio is equally impactful and relevant for a globalized, multicultural, and virtual society, from Collodi to Disney and beyond. The diverse, comparative, and multimedia focus of this original discussion testifies to the enduring transcultural legacy of Pinocchio. The wide-ranging scope of this exploration encompasses Italian, French, and English literature, dummies and marionettes in modernist and contemporary theatre, the fairytale tradition, and traditional and contemporary painting, as well as the older and newer media of radio, television, cinema, and the Internet. Pinocchio, Puppets and Modernity explores this crucial and as yet little visited field, reassessing Pinocchio's genealogy and progeny, as well as illuminating both the wider context and more specific cultural manifestations of the mechanical-human interface in the domains of theatre, the fine arts, literature, radio, and even virtual reality coherently with the digital metamorphosis of our times. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and metamorphosis, making Pinocchio a truly modern, indeed postmodern and posthuman, cultural icon. ![]() This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes.
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